The Buddhas of Bamiyan
In Bamiyan, a valley in central Afghanistan, two gigantic Buddha statues were constructed in the sixth century. Hewn directly out of the sandstone cliff, they were 35 and 53 meters tall respectively, and the largest standing Buddha statutes in the world. The Bamiyan Buddhas were wonderful examples of the eclectic blend of cultural influences that characterized Bactria – the Buddhas were Indian enough, but they were wearing Greek clothing.
Introduced to Afghanistan in the fourth century BCE, Buddhism flourished during the Kushan Empire. At the time Bamiyan was a hub on the caravan routes which connected India, Central Asia and China. From the monasteries constructed here Buddhist influences spread far and wide. A Chinese pilgrim, Xuanzang, who visited Bamiyan in 630, mentioned “more than ten monasteries and more than a thousand monks” living here.[Read more: “Journey to the West”] The hermit monks had dug caves for themselves in the rock face, each one painted with brightly colored frescoes. Xuanzang also noted that two enormous Buddha statues were “decorated with gold and fine jewels.”
The statues were destroyed by the Taliban government in March 2001. To the Taliban they were “idols,” and they were angry that the international community allocated funds for maintaining the statues while the Afghans themselves were starving. The destruction was carried out in stages and it took weeks to complete. Initially, the statues were fired at using anti-aircraft guns and artillery but eventually they were dynamited. Public opinion worldwide was outraged by this act of cultural vandalism.
Various proposals have been made for reconstructing the statues, using what can be recovered of the original stones. In 2013, the foot section of the smaller Buddha was rebuilt with iron rods, bricks and concrete, but the work has halted after protests from UNESCO. Some have felt that the niches should be left empty as a monument to the fanaticism of the Taliban. In June 2015, the statues were temporarily recreated by means of hologram images projected onto the cliffs. There is no doubt what the Buddha would have said regarding the destruction of the statues. “Nothing in this world is forever,” he would have pointed out, “everything must pass.”